Author ORCID Identifier

https://orcid.org/0009-0006-9891-1540

Semester

Spring

Date of Graduation

2025

Document Type

Dissertation

Degree Type

DMA

College

College of Creative Arts

Department

School of Music

Committee Chair

Lucy Mauro

Committee Co-Chair

Peter Amstutz

Committee Member

Peter Amstutz

Committee Member

William Haller

Committee Member

General Hambrick

Abstract

This research demonstrates the importance of critical thinking in piano education. Grounded in the philosophical framework of Paulo Freire’s Pedagogy of the Oppressed, it explains how “dialogue” can be used to establish a collaborative teacher-student relationship. Through “praxis,” which is the integration of reflection and action, students and teachers can break free from “limit situations,” the structural constraints of reality, leading to evolution and creation.

By conducting interviews with piano teachers and students from diverse backgrounds, this research examines the differences between Western and Chinese piano education and some universal phenomena within piano pedagogy. Based on the interview findings, the research analyzes these phenomena from historical, cultural, and philosophical perspectives, explaining their underlying causes. Furthermore, it provides practical suggestions for fostering critical thinking in piano education.

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