Semester

Spring

Date of Graduation

2014

Document Type

Dissertation

Degree Type

PhD

College

Eberly College of Arts and Sciences

Department

English

Committee Chair

Dennis W. Allen

Committee Co-Chair

Dennis W. Allen

Committee Member

Laura Brady

Committee Member

Anna Elfenbein

Committee Member

John B. Lamb

Committee Member

Janice S. Spleth

Abstract

This dissertation examines the eroticization of female children in film during the 1930s as a mechanism for concealing troubling realities of the Great Depression in the United States. The repressed sexuality embedded in the plots of Post Hays Code movies featuring Shirley Temple and characters such as Stella Dallas, Dorothy Gale, and Scarlett O'Hara serve to suture over a crisis of masculinity triggered by changing roles in gender, race, and class. By attempting to invoke the image of a "little girl" in place of that of a grown woman, some films (such as Gone With the Wind, and Bright Eyes) do a better job of masking these abruptions than do other others (such as Stella Dallas and The Wizard of Oz).

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