Author ORCID Identifier
Semester
Spring
Date of Graduation
2025
Document Type
Dissertation
Degree Type
DMA
College
College of Creative Arts
Department
School of Music
Committee Chair
Lucy Mauro
Committee Co-Chair
Peter Amstutz
Committee Member
Peter Amstutz
Committee Member
Andrea Houde
Committee Member
General Hambrick
Abstract
This research paper examines Johannes Brahms's “Geistliches Wiegenlied” from Zwei Gesänge, Op. 91, an integral but often overlooked work in the chamber-music repertoire for voice, viola, and piano. The study begins with brief historical background information on the text and music. Following this, an analysis of “Geistliches Wiegenlied” is provided as well as practical advice on interpretation and ensemble performance. Also included is a list of selected recordings. By exploring the special qualities of the work, this study aims to deepen the understanding and appreciation of Brahms's contribution to chamber music for this unique ensemble.
Recommended Citation
Ding, Tong, "Chamber Music for Voice, Viola and Piano: An Analysis of Johannes Brahms’s “Geistliches Wiegenlied” from Zwei Gesänge, Op. 91" (2025). Graduate Theses, Dissertations, and Problem Reports. 12820.
https://researchrepository.wvu.edu/etd/12820