Date of Award

Spring 2024

Document Type

Thesis

Department

English

First Advisor

Michael Germana

Abstract

Yukio Mishima’s first novel, Confessions of a Mask, was an instant success when it first published in 1949 and served as the beginning of Mishima’s rise to becoming one of, if not the most prominent postwar Japanese writers. However, because of the novel’s heavy nationalistic undertone tied with its very nontraditional and often lamenting perspective towards homosexuality, it has been largely overlooked by Western academia until recently. It presents a complex notion of queer identity, one that John Pistelli describes in his review as “[an] inapplicability of the word ‘queer,’ with all its contemporary political connotations, to a reactionary mid-century Japanese writer who based his sexual identity on fin-de-siècle Decadent literature and modernist sexual science” (Pistelli). As implied by Pistelli’s review, critical essays on the novel tend to be a pull towards two distinct and competing perspectives: either trying to situate the novel within the understood Western notions of philosophical identity, or by reading the novel through a historical perspective towards traditional Japanese culture

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