Date of Award

Spring 2026

Document Type

Thesis

Abstract

Mary Shelley’s Frankenstein places the “Monster” at the center of the text and I argue that Shelley is purposeful in not giving a real, human name to the Monster nor a specified gender. I propose that the Monster is an experimentation of un-gendered embodiment that Shelley meticulously crafts and which can be read through the lens of Trans-studies as a literary example of what I term Gender Outperformance. I define this as what may be embodied once gender is either fully abandoned, never granted, or stretched beyond its normative limits. Once gender is outperformed it is transcended.

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