Date of Graduation

2004

Document Type

Thesis

Degree Type

MA

Committee Chair

Deborah Janson

Abstract

The purpose of this thesis is to explore the use of symbols and imagery originating from the traditions of Jewish Mysticism in Gustav Meyrink`s most noted work Der Golem, as they relate to the overall theme of identity. Philosophic and religious traditions of early Gnostic teachings, Hebrew and Aramaic texts such as the Book of Enoch will be compared as part of the analysis of the Golem saga and the key topics featured in the novel. The myth of the Golem itself epitomises the struggle of the individual, the notion of creator and creature are recurring ideas in the novel. The main character himself lives through several transformations, at the same time he observes and encounters the creature that is serves as the ultimate Doppelgänger: the Golem. In both Jewish and Christian Mysticism the ultimate goal of alchemic and scientific study is the creation of life itself—the creature wants to become the creator. The Golem is the manifestation of this approach. In the novel he serves as the Doppelgänger of the main characters, reflecting his true identity and serving as the collective soul, thus the encounters with the Golem mark an important step on the protagonist’s way to restoring his identity. However, it is not the flamboyant image of the Golem that is central to Meyrink’s use of Jewish mystical symbolism. Moreover, it is a set of little known yet highly complex symbols such as the letter Aleph or the concept of Ibbur that serve as means to illustrate the protagonist’s struggle and ultimately aid at his restoration and achievement of wholeness. Gustav Meyrink’s use of these symbols in relation to the topic of identity shows a skilful and detailed application, creating both an ambiguous and convincing atmosphere and illustrate man’s search for enlightenment.

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