Date of Graduation

2015

Document Type

Thesis

Degree Type

MA

College

College of Creative Arts

Department

School of Music

Committee Chair

Travis D Stimeling

Committee Co-Chair

William Haller

Committee Member

Evan A MacCarthy

Abstract

This study discusses the practice of music-making by middle and upper class women in the nineteenth-century American South, and the ways in which the practice was continued in the decades following the Civil War amid changing class and gender politics. The study examines two sheet music collections, one from the South and one from the North, dating from the 1880s and 1890s. An examination of the content of these collections reveals differing attitudes over changing class and gender politics and acceptable practices for music-making in the North and South. A discussion of these young women and their families tells their stories through the sheet music they left behind.

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