Date of Graduation

2014

Document Type

Thesis

Degree Type

MA

College

Eberly College of Arts and Sciences

Department

English

Committee Chair

Lisa Weihman

Committee Co-Chair

Sandy Baldwin

Committee Member

Marilyn Francus

Abstract

Questions of how literary modernism and literary realism can be distinguished from one another, particularly in the transitional period at the beginning of the twentieth century, are central concerns in the study of literature. I argue here that in E.M. Forster's 1913 novel Howards End, the 'monumentality' of the titular house is the key to its inclusion in the modernist canon. This monumentality is incomplete, I claim, and as such formally replicates the impossibility of comprehending or representing modern life. I conclude with a similar reading of Elizabeth Bowen's 1929 novel The Last September in order to demonstrate that this spatial dynamic of monumentality, which I posit as what I call a 'mediating texture' in the modernist novel, obtains beyond the confines of Forster's novel.

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