Semester

Summer

Date of Graduation

2000

Document Type

Thesis

Degree Type

MA

College

Eberly College of Arts and Sciences

Department

English

Committee Chair

Brian McHale

Committee Co-Chair

Patrica DeMarco

Committee Member

James Harms

Abstract

As a decidedly American tradition, the long poem has become the premier literary endeavor for poets in the twentieth-century. Writers such as T. S. Eliot, Ezra Pound, and William Carlos Williams have pursued the long poem, but under the auspices of the "modern epic." Three postmodern long poems---Kenneth Koch's Seasons on Earth, Edward Dom's Gunslinger, and James Merrill's The Changing Light at Sandover---illustrate a dramatic rupture with the texts of modernism by introducing comic situations and multi-voiced narration---situations described by Mikhail Bakhtin as "dialogism" and "carnival," receptively---into the canon of American long poems. These innovations allow the postmodern long poem to evolve past the thematic and aesthetic strictures imposed by the texts of modernism.

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