Document Type
Article
Publication Date
2020
College/Unit
WVU College of Law
Abstract
Previous studies have shown that an applicant's ability to obtain a patent is inexorably linked to the random assignment of a patent examiner. However, not all patent examiners are created equal. Some patent examiners allow patent applications quickly within just one or two Office Actions, resulting in only a few months of substantive patent prosecution. In contrast, other patent examiners constantly reject patents applications, which can result in unnecessarily delaying prosecution and years of substantive patent prosecution. This study focuses on how different examiners use prior art rejections to prolong or compact prosecution. Prior art rejections are one of the most important hurdles to obtaining a patent. Specifically, the use of prior art rejections directly impacts the time and effort it takes to obtain a patent. Anticipation and obviousness rejections are usually the most important and difficult obstacles to overcome before obtaining a patent. This empirical study focuses on how different types of examiners (i.e., fast/high volume versus slow/low volume) use prior art rejections to either compact or delay prosecution. Since patent examination is dependent on both examiner and applicant behavior, this study also evaluates how applicants respond to these prior art rejections to also prolong or compress prosecution. Unlike many studies, this is the first one that evaluates patent quality based on both individual examiner characteristics, as well as applicant behavior at the patent prosecution level. In sum, high volume, average volume, and low volume examiners issued a patent in approximately 1.64 years, 3.07 years, and 5.85 years, respectively. Thus, high volume examiners issue patents almost twice as quickly as average volume examiners and more than three times as fast as low volume examiners. This large difference can represent a huge investment in both capital and time for the applicant, as well as for the PTO. Additionally, this study finds that low volume examiners reject applications based mainly on obviousness, issuing over four times as many obviousness rejections per Office Action as compared to high volume examiners. Furthermore, low volume examiners issue five times as many Section 102(a), (g), or (e) rejections and two times as many Section 102(b) rejections. And applicants most commonly make a "missing element" argument to traverse a slow examiner's Section 102(a), (g) or (e) rejection at three times the rate of a fast examiner. This type of traversal strategy relies on the examiner's misunderstanding of either the art or the claimed invention. Similarly, applicants also use the "missing elements" argument to traverse a slow examiner's Section 103 rejection at five times the rate of a fast examiner. Finally, applicants are also three times more likely to use a "teaching away" or "unexpected results" argument to traverse a slow examiner compared to a fast examiner. Both of these arguments can again rely on either the examiner's misunderstanding of the prior art or a misunderstanding of the claimed invention. study demonstrates that different types of examiners use different strategies to maximize their "counts." Specifically, low volume examiners will generally reject applications, creating lengthy prosecution histories and forcing the applicant to narrow claims, while showing a misunderstanding of either the prior art and/or the claimed invention. In contrast, high volume examiners will usually only make one rejection before allowing the case, thus creating a small prosecution history with only small amendments to the claims.
Original Publication Title
Cardozo Arts & Entertainment Law Journal
Digital Commons Citation
Tu, Shine, "Patenting Fast and Slow: Examiner and Applicant Use of Prior Art" (2020). Law Faculty Scholarship. 30.
https://researchrepository.wvu.edu/law_faculty/30
Source Citation
Tu, Shine Sean, Patenting Fast and Slow: Examiner and Applicant Use of Prior Art, 38 Cardozo Arts & Ent. L.J. 391 (2020).
Comments
This article is included in the Research Repository @ WVU with the permission of the Cardozo Arts & Entertainment Law Journal.