Theses/Dissertations from 2015
"The Whistling Wife": Women and Popular Song in the Postbellum American South, Melanie J. Green
Clarence Cameron White: Classical Violin Performance and Pedagogy in the African American Community, Alexandra Kori Hill
Religious Worship Music in The United House of Prayer for All People: A Brief Examination of the Shout Band Tradition and its use of the Trombone, Joseph Lee Jefferson
A Study of Selected Piano Works by Two Living Composers: David Gordon Duke and Stefan Young, Wei Chen Lin
Composers as parents: Selected twentieth-century piano works written by fathers for their children, Onpavee Nitisingkarin
Two-Faced: Bringing Two Roles to Life in Kurt Weill's "Street Scene", Vincent Pelligrino
Classical and Jazz Influences in the Music of Nikolai Kapustin: Piano Sonata No. 3, Op. 55, Yana Tyulkova
Pedagogical Thoughts on Liszt's Six Concert Etudes, Zhiwei Zheng
Theses/Dissertations from 2014
A Pedagogical Approach to Technique in Chopin's Preludes Op. 28, Sheila Kay Barnhart
A Survey of the Piano Sonatas of Wilhelm Stenhammar (1871-1927) with Performance Suggestions for the Piano Sonata in G Minor, Maria Crystalia
Concerto for Solo Violin and Chamber Orchestra, Christopher Everett Jones
A conceptual method of learning jazz improvisation through studying the music of J. S. Bach, Gary Scott Jones
Selected solo piano works by contemporary Malaysian composers: An analysis, Khe Sin Khoo
An Exploration of Conceptual Teaching in Piano Study: Pedagogical Analysis of Three Selected Intermediate Piano Works by Two American Composers, William Bolcom and Lowell Liebermann, Justin Douglas Krueger
A Performance Guide to "First Lines" for Flute and Piano, Pamela Murchison
Understanding Chinese American Parents: The Interplay of Chinese Tradition and Early Childhood Music Education in the United States, Juan Julie Yu
Theses/Dissertations from 2013
Compositional Techniques in Hodie by Ralph Vaughan Williams, Ah Reum Han
The Eleven Nocturnes for Solo Piano of Lowell Liebermann: A Field-Chopin-Faure Lineage, Martin Harvey
Aspects of The Ploger Method(TM) Applied to the Mozart Clarinet Concerto, Amy E. McCann
Doubling on Euphonium and Tuba: A Guide for Euphonium Players, Matthew Murchison
Africa, Appalachia, and acculturation: The history of bluegrass music, Charles W. Perryman
The teaching legacy of Iravati M. Sudiarso, Mario S. Santoso
Monumento Piece for symphonic orchestra, 8'30", Rafael Langoni Smith
Margaret Ruthven Lang: Her life and piano works, Juliana Yap
Korean Violinist Min Kim: His Devotion to and Achievements in Chamber Music, Seung Hee Yeo
Theses/Dissertations from 2012
A Guide to Selected Resources on Memorization Techniques for Pianists: An Annotated Bibliography, Silvia A. Atmadja
Olivier Messiaen's Personal Expression of Faith in His Major Solo and Chamber Works with Piano from 1940 to 1944, Marie Arlou C. Borillo
Aspects of Form, Tonality, and Texture in the ''Farewell'' Piano Sonatas of Beethoven and Dussek, Kyoung Cha
Symptoms, Causes, and Coping Strategies for Performance Anxiety in Singers: A Synthesis of Research, Kristina Driskill
Etude Books for Horn Published from 1985 to 2011: An Annotated Guide, Joseph David Johnson
The Use of Controls in the Music of Lou Harrison: An Analytical Study, Christopher Jason Koontz
Theses/Dissertations from 2011
An Historical Survey of the Development of the Baroque Solo Keyboard Suite in France, England, and Germany, Robert Eric Armstrong
The American School of Oboe Playing: Robert Bloom, John de Lancie, John Mack, and the Influence of Marcel Tabuteau, Amy M. Galbraith
A Comparative Examination of the Published Editions of Alexander Glazunov's Concerto in E-flat Major for Alto Saxophone and String Orchestra, Op. 109, Christopher D. Mickel
Opera at the Metropolitan: The 1896--1897 Damrosch Opera Season and Xaver Scharwenka's "Mataswintha", David Joseph Rudari
Musical Persona: The Use of Human Speech in the Music of Steve Reich, Rachel E. Weiss
Theses/Dissertations from 2010
Four Trinity Sunday Cantatas by J. S. Bach: An Examination and Comparison, Jeffry Blake Johnson
A Study and Performance Analysis of Selected Art Songs by Un-Yeong Na, Min Sue Kim
The alto trombone as a transposing instrument, Brian Kirke Plitnik
An Annotated Bibliography of Music Composed by Heinz Holliger for the Oboe, Oboe d'Amore, or English Horn, Matthew Allen Ward
Theses/Dissertations from 2009
Women as classically-trained trumpet players in the United States, Robyn Dewey Card
Ludwig van Beethoven's orchestration of the trombone, Daniel R. Cloutier
Theses/Dissertations from 2008
Promoting self-directed learning in adult piano instruction, Rhonda Jane Mizok-Taylor
Franz Joseph Haydn's writing for wind instruments and the evolution of the military band and orchestral wind section, Jonathan Neiderhiser
Theses/Dissertations from 2007
Teaching intermediate-level technical and musical skills through the study and performance of selected piano duos, Yunn Bing Christine Tan
Theses/Dissertations from 2006
David Amram's Sonata for Piano: A merger of contemporary classical and jazz styles, Amanda Yuet Hwa Lee
The evolving perception of Charles Ives and his music, Hsiang-Chi Liao
The five song cycles for voice and piano by Benjamin Britten written specifically for Peter Pears: The effect of their relationship, Robert Strauss
Theses/Dissertations from 2005
The organ music of Robert Hebble (b.1934), John Paul Cappa
Theses/Dissertations from 2004
Teaching intermediate -level technical and musical skills through the study and performance of selected piano duets, Hooi Yin Boey
Theses/Dissertations from 2000
Acculturated music in the Italian and Greek communities of Ambridge, Pennsylvania, Julie Ann Throckmorton
Theses/Dissertations from 1999
Concert waltzes for solo piano, Kyung-Ae Kim