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Theses/Dissertations from 2024

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Selected Piano Etudes from the Mid-20th to 21st Centuries: A Catalogue, Min Ji Baek

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Incorporating Keyboard Literature in the Undergraduate and Graduate Piano Performance Curriculums, Yangyang Cao

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When the Right Man Rings Them?, Alan Wayne Cline

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Developing the 21st Century Piano Studio, Brianna Mae Eddy

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Through the Keyhole, Anna Higgins

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Something from Nothing: Reimaginings, a Resource Guide for the Horn Sonata by Frank Gulino, Albert J. Houde III

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Uncovering the Emotional Line: An Analysis of Three David Maslanka Wind Ensemble Works Using Formal Emotive Intensity Analysis, Michael John Kahle

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Choir Teacher Agency and Culturally Sustaining Pedagogy, Kaitlyn Schramm

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Global Experiences: How Locality and Space Shape Pedagogical Practices and Experiences between Western Institutions and Ghanaian Musical Centers, Andrew Patrick Simonette

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Carl Philipp Emanuel Bach’s Sonata in C Minor, Wq. 65/31: A Study of Performance Practice, Weiyang Sun

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The Perceived Effects of Peer-Assisted Learning in a Collegiate Instrumental Pedagogy Classroom, Hannah Wagoner

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Selected Chinese Art Songs from the 20th and 21st Centuries, Xinxin Zhang

Theses/Dissertations from 2023

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A Case Study Analysis of the Experiences and Perceived Learning Outcomes of Former Non-Music Majors in Applied Horn Lessons, Jordan Bennett

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Unconventional Wisdom in Resonating Echoes of the Past: A Memoir on the Life and Music of royal hartigan, Joseph Elias Boulos

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Composers at War: A Study of Composers Who Fought in World War I and World War II, Jason T. Hoffmann

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Adventures in Flute Playing: A Literature Survey and Anticipated Beginning Flute Method, Sammy Holloman

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American Art Songs in the 21st Century: A Catalogue of Selected Works, Islei Mariano Correa Hammer

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Pedagogical Piano Works by Four Contemporary Composers: Emma Lou Diemer, Dianne Goolkasian Rahbee, Karen Tanaka and Chee-Hwa Tan, Manuel Alejandro Molina Flores

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A Selective Guide to Solo Bass Trombone Repertoire from 1961 to Present, Andrew Amadeus Ortega

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Analysis and Performance of Osvaldo Golijov’s Hebreische Milonga, Gerardo Sanchez Pastrana

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Challenges and Solutions for Native Mandarin-Chinese Speakers in Singing German Lieder, Fei Xia

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Developing Collaborative Skills in Piano Students, Linxi Yang

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A Guide to Chinese Art Songs from 1970 to 2010, Tingyu Yan

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A Study of Six Selected Piano Variations by Czerny, Hao Zhang

Theses/Dissertations from 2022

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Investigating the Marketing Language among Online Retailers of Violin Strings to Determine the Implied Aesthetic, Kira Kay Browning

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Stylistic Changes in the Music of Ruth Crawford Seeger, Xinlei Chu

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The Most Common Vocal Fault in the Baritone Voice, Matthew Derek Cyphert

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Diversifying Piano Literature: East Asian Music for Piano Study and Performance in the United States, Akina Kondoh

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Playing-Related Medical Injuries and Health Conditions in Collegiate Saxophonists: A Survey of Saxophonists in North American Universities, Michael Anne Tolan

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The Purpose and Process of Commissioning New Music for Low Brass Instruments: A Guide, Michael Kennard Waddell

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Evocations of Nature in Selected Piano Works by Debussy, Heah Zi-Ling

Theses/Dissertations from 2021

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A Survey of Musical Expectations in the Marine Forces Reserve Band stationed in New Orleans, Louisiana, Brandon Paul Carbonari

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A Selected Analytical Bibliography of Works for Saxophone by Composers Associated with the Darmstadt International Summer Courses for New Music: 1946-2021, Christopher Mark DeLouis

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"A Long Life in Music:" The Career and Legacy of Ann Schein, Anthony William Gray

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Jerome Franke’s “Architectural Practice” Exercises for Mendelssohn’s Violin Concerto in E minor, Op. 62 and Lalo’s Symphonie Espagnole in D minor, Op. 21, Yaniv Gutman

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Fostering Music Performers in the 21st Century: A Contemporary Professional Perspective toward a New Curricular Agenda for Graduate Study in Music, Andre Januario

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Francis Poulenc: The Compositional Influences of Les Six and Sergei Prokofiev on the Poulenc Oboe Sonata (1962), Evan Klein

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The Three Piano Sonatas by José de Almeida Penalva, Heron Alvim Moreira

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Chamber Music Fundamentals and Rehearsal Techniques for Advancing String Students, Gabrielle Padilla

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Touching Light: A Framework for the Facilitation of Music-Making in Mixed Reality, Ian Thomas Riley

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The Joyful Path of Lifelong Mastery of the Piano, John Alan Rose

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Hearing Ourselves Speak: Finding the Trans Sound in the Ohio River Valley, Gwendolyn Patricia Saporito-Emler

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#Canceled: Positionality and Authenticity in Country Music’s Cancel Culture, Gabriella Saporito

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The Memorization, Preparation, and Performance of Piano Music: Cognitive Foundations and Current Neuro-Music Research, Amy M. Simpson

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Selected Principles of Practicing for Security in Performance, Hsing-Yi Tsai

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An Analysis of Amy Beach's Variations on Balkan Themes, Op. 60, Yiwen Zhang

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A Foundation for Collaboration: An Analysis of Robert Schumann’s Dichterliebe, Op. 48, Kailang Zhan

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A Selective Study on Chinese Art Songs after 1950, Gehui Zhu

Theses/Dissertations from 2020

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It’s Just Muzak: Music, Activism, and Advertising., Avery Brzobohaty

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A Survey of Selected Classical Chinese Art Songs for Solo Voice and Piano from 1920 to 1950, Tingting Chang

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A Multifaceted Performance Model for the Multiple Percussion Performance Practice: Performance Analysis of Select Works toward Developing a Graduate Curriculum, Mitchell Joseph Greco

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The Roman Catholic Ordinary Mass from circa 1750 to circa 1820: A Selected Bibliography, Letícia Gabriele Grützmann Januario

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An Appraisal of the Evolution of Western Art Music in Nigeria, Agatha Onyinye Holland

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Types and Causes of Physiological Injury in Piano Playing, with Emphasis on Piano Pedagogy in China, Ruixi Niu

Theses/Dissertations from 2019

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Contemporary Music Notation for the Flute: A Unified Guide to Notational Symbols for Composers and Performers, Ms. Eftihia Victoria Arkoudis

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Core Curriculum for Orchestra, Andrew Thomas Aycoth

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Hyperscales: Analysis, Historical Uses, and Possible Applications in Contemporary Music Composition, Douglas Wayne Brown

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Johannes Brahms’s Fünf Ophelia-Lieder Performance history, cultural context, and character study as it pertains to Johannes Brahms’s Fünf Ophelia-Lieder: A Performer’s Perspective, Caryn Alexis Crozier

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The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964), Emmett Curtis Goods

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A Pedagogical Guide to Kapustin’s Eight Concert Etudes, Op. 40, Yanjing Gu

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Prizes, Winning, and Identity: Narrative Vocal Music of the Pulitzer Prize, 2008–2018, Julia K. Kuhlman

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Folk-song to formal performance: Interpreting the songs of Jean Ritchie for voice recital, Julianne E. Laird

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Contemporary Collaborative Piano Practices in Korea: Five Case Studies, Jiyeon Lee

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Music Technology, Gender, and Sexuality: Case Studies of Women and Queer Electroacoustic Music Composers, Justin Thomas Massey

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The Inclusion of Organ Within the Concert Band Instrumentation with an Annotated Listing of Original Works for Concert Band and Organ, Matthew Justin McCurry

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The "organ-accompanied solo motet" in in La Maîtrise, 1857–1861, John David O'Donnell

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Musical and Cultural Perspectives of Héctor Campos Parsi: An examination of his influences and analysis of selected vocal works, Cynthia Ortiz-Bartley

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Latin American Influences on Selected Piano Pieces by Louis Moreau Gottschalk and Darius Milhaud, Hyejeong Seong

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A Compendium of Opera in Spain and Latin America, Michelle S. Smith

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Pedagogical Thoughts on Album des Six: a piano set by Les Six to represent French Nationalism, Dipendra Sunam

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Examining Musical Hybridity and Cultural Influences in Valerie Coleman’s Wish Sonatine and Fanmi Imèn, Brittany Marie Trotter

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Discovering the "Finnish Chopin"—Selim Palmgren's 24 Preludes, op. 17, and Tres Piezas para Piano, op. 54, Sijia Wang

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Mindfulness for Musicians: Bringing sport psychology and mindfulness-based therapies to the practice room and the concert stage, Lauretta M. Werner

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Listening for the Cosmic Other: Postcolonial Approaches to Music in the Space Age, Paige Zalman

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How does the pronunciation of native languages affect beginning singers? A research focusing on native Mandarin Chinese and American English speaking singers, Ruobing Zhao

Theses/Dissertations from 2018

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An Exploration of Paul Bowles' Piano-Solo Pieces, Juan Carlos Rios Betancur

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The Life And Work Of Barbara Nissman, Giuliana Paola Contreras Ampuero

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Lynne Ramsey, Violist: Biography, Pedagogical Background, Teaching Techniques, and Career Advice, Ignacio Cuello

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Listening for Yes: Consent in the Contemporary Country Love Song, Phoebe E. Hughes

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Form in the Music of John Adams, Michael Ridderbusch

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Study of the Resonance Spectrums of the Flute and the Effect of Different Stable Vowels on Formant Tuning with Violin and Clarinet, Alyssa M. Schwartz

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It Takes a Village: Collaborative Social Justice Through Choral Musicking, Natalie Shaffer

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Staying Original: A Case study for Film Composers Working with Temp Tracks, Kyle Maurits Simpson

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Chinese Elements and Influence in Tan Dun's Eight Memories in Watercolor, Qian Xu

Theses/Dissertations from 2017

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A Study in Songs: Comparative Analyses of 20th century settings of William Blake's "Songs of Innocence and of Experience": Selections from Vaughan Williams's "Ten Blake Songs", Britten's "Songs and Proverbs of William Blake", and Rochberg's "Blake Songs: For Soprano and Chamber Ensemble", Jennifer Berkebile

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The Treatment of the Piano in Six Selected Chamber Works by Colombian Composers in the Twenty-First Century, Javier Camacho

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The Paganini Variations: A Study of Selected Works by Liszt, Brahms, Rachmaninoff, Lutoslawski, and Muczynski, Youna Choi

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A Survey of Selected Piano Concerti for Elementary, Intermediate, and Early-Advanced Levels, Achareeya Fukiat

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Jesus de Monasterio (1836-1903): An Essential Figure in the Artistic and Technical Development of Violin Playing in the Second Half of the Nineteenth Century at the Madrid Royal Conservatory, Diego Gabete-Rodriguez

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A Transcription for the Viola of Three Violin Works by Amy Beach: A Historical, Theoretical, and Pedagogical Analysis, Courtney Erin Grant

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The Piccolo in the 21st Century: History, Construction, and Modern Pedagogical Resources, Keith D. Hanlon

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Tear Down the Wall: Long-Form Analytical Techniques and the Music of Pink Floyd, Christopher Everett Jones

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Revolutionary Pedagogy: A Historical Perspective on Improvising in Beethoven, Julia Kinderknecht

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Philosophical Approaches to Compositional Technique in Isang Yun's Works for Solo Flute, Mirim Lee

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Taiwanese Composer Tyzen Hsiao: Pedagogical Aspects of Selected Piano Solo Works, Tzu-Nung Lin

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Researching History and Performance Practice Regarding Improvisation and Ornamentation in Mozart's Keyboard Works, with Special Attention to Cadenzas, Josiane Merlino

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A Study of Nikolai Kapustin's Sonata No. 12, Op. 102: A Contemporary Jazz Sonata In Two Movements, Mark Peters

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Selected Manufacturer's Professional Trumpet Component Specifications: A Compendium of Measurements, Materials, and Playing Characteristics, Kenneth H. Piatt

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A Conductor's Perspective on Stravinsky's "Danse sacrale" from "Le Sacre du printemps": Evaluation of Revisions, Analysis and Considerations for Conducting, Hanjin Sa

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Hungarian Elements in Selected Piano Compositions of Liszt, Dohnanyi, Bartok, and Kodaly, Helga Scheibert